LightZone full review

LightZone 3.0 is intuitive and affordable digital photo editing software.

It's a great time to be a digital photographer. The price of digital SLR cameras is falling, and in the last year or so some amazing new software packages have debuted that make advanced photo editing easier and more affordable than ever before.

Among the most intuitive is a relatively new kid on the block called LightZone, and it's gaining popularity with each new version (the most current as of this writing being 3.0.6).

The fully featured edition of LightZone, with its digital asset management and batch-processing abilities, is built for pros doing high-volume shoots.

The basic edition of LightZone is quite suitable for everyone else (including hobbyists).

Combining a simple interface with a unique visual approach to lighting adjustments, LightZone includes a few of Photoshop's more powerful features, and you can buy it without breaking the bank.

Style matters

In the year and a half since its initial release, LightZone has matured at warp speed. Version 3.0's simpler interface includes Browse and Edit modes, the latter sporting 29 useful adjustment presets called Styles. Choose from eight variations of black and white, seven toning effects, and more: you can see and tweak the individual tools used to create each effect in the tool stack on the right side of the program's work space.

Style adjustments are temporary until you click the tiny checkmark to the left of their name in the Styles list. Toggle the adjustment's visibility on and off by clicking the checkmark to the right of its name in the tool stack. To reject an adjustment, click the X. You can create your own LightZone styles, use them in batch operations (though only in the full version of LightZone), and share them with others, much as you can with Photoshop actions.

A new History tab, located on the far left side of the LightZone interface when you're in Edit mode, keeps track of everything you do; however, it records every adjustment you try, not just the ones you apply.

Getting into the Zone

LightZone's individuality shines brightest in its unique approach to lighting and tonal corrections. Photos are broken into 16 shades of gray, displayed in a linear scale called the ZoneMapper (derived from Ansel Adams' photographic Zone System), wherein each shade represents the lighting difference of half an f-stop.

Hover your mouse over any shade and the corresponding areas light up in the ZoneFinder, a small grayscale representation of the photo at the top right of the window. (If this sounds a bit complicated, don't worry; LightZone's help system is amazingly well developed, and it will get you up to speed quickly.)

For example, to see the darkest area (shadows) in your photo, hover over the blackest bar in the ZoneMapper. To see the lightest area (highlights), hover over the whitest bar. To make a change, click once in that area of the ZoneMapper and drag the resulting blue line (the zone lock) up to brighten or down to darken. LightZone's unique ability to see the highlights, shadows, and midtones is nothing short of revolutionary, and it's more intuitive than methods used in other editors, such as Photoshop's Levels and Curves.

The new Relight tool lets you adjust contrast and lighting even further with LightZone, and most tools have blend modes for controlling how adjustments in the tool stack interact with each other, complete with an opacity control.

Any adjustment can be copied from one photo and applied to others. Pros will also enjoy LightZone's Raw adjustment tool and the ability to edit metadata.